contents   inside europa   + italy essay international   + journalism   + war on terror specials   + transmission   + iberamericana cultur languages

transmission    preface working out the transmission    introduction trasmesso 27 agosto...    angela vettese art knows what it was which place takes cinema not for sale interferences 1 in girum imus nocte interferences 2 interferences 3    joseph kosuth constructing conflict owning empathy posttrauma syndrome i volti del terrore a well for palestine una risata orribile libertà di culto, libertà di critica the walls below    rirkrit tiravanija la paura mangia l’anima olvido maybe tomorrow interferences 4 burn a book interferences 5 tu non hai potere o.T. la distribución del tiempo interferences 6 come ottenere successo in arte we have moved...    epilogue

INTERFERENCES #1    | Daniel Buren. That is why the original, marginal and solitary attitude developed by western artists as a result of more than a century-old tradition needs to be called into question by the artists themselves, if they really do want to take to the streets. The thing an artist can do in a system of complicity (the Museum) — even when the environment is hostile — become much less simple in an unprepared system (the street), even if there are those who may provide support. The street is not hometerritory. At best, it is a territory to be tamed, to do which you need other weapons than those forged over the century in the sometimes complacent habits of the museum.